Ranch owner Tex McCloud is convinced there is oil under his property and brings in a drilling rig and equipment to drill for it. But a gang who wants the property wage a sabotage and theft war against him.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
A throwback to the last months of the 20th century in this comedy film.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
