What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Accumulated over three years, Joshua Gen Solondz’s film is a crowded collage of gurgling paint, jagged splices, errant sprocket holes, and puzzling images that conjure the densely material frames of the late queer avant-garde filmmaker Luther Price. A messy assemblage in purples and oranges, NE Corridor is at once a visceral explosion of color and a tortured object.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
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