Why we shouldn't let "Contagion" scare us
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."

Laxminarayan Kapoor lives a wealthy lifestyle in London along with his religious wife, Maya; son Ravinder; and two nephews, Sandeep and Randeep. While the nephews have adapted themselves to the country and women, Ravinder is still a virgin at 40, and is a sleep-walker. After getting his leg pulled constantly, he asks his father to get him married, and is introduced to a statuesque beauty - who rejects him after discovering his sleep-walking disorder. His parents then get him married to Gauri, and he hopes to end his celibacy, in vain albeit, as she turns out to be child-like and naive. Frustrated, unable to get intimate he befriends a Caucasian female, Sharon, and decides to marry her. Watch what response he gets, and the impact this has on everyone.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
The second film takes us on Peter's journey to be understood.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.