
Using home movies shot around Christmas time, Nativity portrays certain dynamics and roles played within a Portuguese middle class family in the 90s. Framed by a persistent harassment of television advertising and entertainment, those images follow a journey through a consumerist euphoria of a country living an illusion of prosperity, but which in the end is transformed into a sleepy hangover.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.