
One night there is a terrible accident in the little station town of Bredsted. The young son of the rich Mogens Kragfelt is struck by the Natekspressen (P. 903) near the station. Police chief Aagesen sends the young detective officer Lund (Jørn Jeppesen) to investigate the case, where there are various mysterious circumstances, among other things there are traces of fights at the rails just where Kragfelt was crossed.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
The external threat invaded the domestic environment at the most valuable moment: grieving.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.