Nasreddin Hodja 

We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.

The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it. 

The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.