
Nasrani takes us to the Kottayam belt, where rich rubber planters and estate owners live. One such rich planter is David John Kottarathil, popularly known as DK. DK spends most of his time at the Cosmo Club, where he is the secretary too. He has his say over all spheres of human activity. He is respected and feared too.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
A reboot series based on the popular original Nick teen sitcom of the same name.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
Chickenhare and the Hamster of Darkness explores true identity through exploration.