What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

The protagonists of Ciro Scuotto's latest film are representatives of a large community, who together demand adequate legislation, the right to express their sexual orientation, and the desire for a private life in the open. "Napoli in Trans" focuses on the city that hosts a large transgender community, which wants to feel free of its personal and sexual identity. The work, co-produced by Spaccanapoli Online and Dropper Lab, with executive production by the VisionArea collective, stands out for its great ambition: it is provocative, but in a sincere and delicate way, chosen by the young Neapolitan director to approach a topic that is painfully subject to discrimination and ridicule from the public.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
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The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
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