“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

The Kansai Real Estate Association in Osaka. To prevent bidding prices from skyrocketing in auctions for properties contested by rival firms, the member companies had adopted a rather unusual bidding system. And that was… mahjong! The company that won the game would be awarded the contract. Sales Section 3 at Midosuji Real Estate boasted a formidable mahjong player, Ken Ryuji (Kenjiro Nashimoto), who was head and shoulders above the rest. Meanwhile, rival firm Tozaki Buildings enlisted the help of the Oniyama-kai yakuza organisation to send in their strongest mahjong player, Wakai (Shun Suda). With Wakai resorting to every dirty trick in the book to win, Midosuji Real Estate finds itself in a desperate situation!
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.