EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Nagasaki, 1945. Three nursing students, Tanaka Sumi, Ohno Atsuko, and Iwanaga Misao, return home when school is closed due to air raids, and spend some peaceful time with family and friends. However, at 11:02 AM on August 9th, the atomic bomb is dropped, and their daily lives are instantly shattered. The city is reduced to ruins, and despite their inexperience, the nursing students rush to provide medical care to the injured. Faced with the cruel reality that more lives must be buried than can be saved, the women continue to question the value and meaning of life.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.