Naamkaran is a hindi word and it means The Naming and used in context of naming a child. Naamkaran tells the story of two sisters – one a pickpocket and the other a teacher by profession. Shot in Kolkata in winter, it follows the journey of the two sisters as their worlds collide to make ends meet. The teacher is looking for a good name for her son. She rejects names suggested by her pickpocket sister and ill father. It is interesting to see how she finalizes the name of her kid. Sen Sharma handles the quirky subject with a degree of authority, choosing not to dwell on drama and allowing events to narrate the story.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
