‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

Set in a small town in middle Oregon, eight kids who are well acquainted with the paranormal face off against a terrifying psychic threat. While the Twins fight to defend their family from destruction while four out of towners find themselves stranded in a broken down car in the middle of nowhere and two junior psychic detectives, who are on a top secret mission, get inadvertently mixed up in their high stakes danger.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Fjord, like its story, is not a conclusion, but a beginning.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.