Go and Tell Everyone About 'Candyman'
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

On a dark and stormy night, Liu Ling (Tao Hui) finds three corpses suspected of being murdered in a hut. She becomes terrified and wants to escape, but a black phantom slowly climbed up behind her, never to be seen again. Many years later, Liu Tian (Wang Cheng) brings friends Fang Wenqing (Wu Qijiang) and Ye Zi (Zhao Shijin) and others came to the ghost village again to find the whereabouts of his sister Liu Ling. There is an unnamed monument at the entrance of the village. At nightfall, a series of horrible things happened. The next day, everyone saw Liu Tian in front of the stele. It turned out that he suspected whether his sister was buried under the stele. Liu Tian came to the haunted house where his sister had an accident and found her sister's skeleton. That night Liu Tian kept having nightmares and his spirit collapsed. From then on, every night in the dead of night, a ghost with only a head, a face, and no body would appear next to their pillows. Can they still leave here?
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
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Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".