Dune (2021): An Islam-Inspired Theme With Powerful Aesthetics, but Reminiscent of Lynch
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.

Having been happily married for ten years, Gerda Wagner, devoted mother and housewife, suddenly gets it into her head that she would like a career as a pop star. She had singing lessons in the past and her voice is still beautiful. A chance meeting with the idolized Italian singer Fabiani, revives her stage fever - much to the annoyance of her husband Gustl Wagner, head of the records section at a department store.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
This reboot of The Wonder Years is told from the lens of a Black man.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.