During an evening in a bar, Roger, a friendly cognac salesman and connoisseur, overhears a telephone conversation that intrigues him, then worries him: "... a few bullets to the head and she'll be dead in a minute...". Distraught, Roger follows the stranger who has taken his car. A relentless pursuit ensues. Roger arrives at a mysterious property where the "assassin" disappears to commit his crime. Knocked unconscious by the killer he fought and prevented from carrying out his crime, Roger regains his senses, comfortably installed in the living-room of an old colonel, Colonel Van Booren.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
"Peter Pan & Wendy" is a diverse fantasy brought to life and an adventure for all ages.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
