Pride Music Selections: "Let It Go" and "Into the Unknown" from the 'Frozen' Franchise
From being unfairly outed, to going after the life you want for yourself, these songs from 'Frozen' perfectly capture the journey out of the closet.

In 1911, Arnolphe Combalette left his corner of Provence to seek his fortune in the Americas. Fifty years later, a letter from him arrived in the village: "No, I'm not dead yet, but it won't be long now. A Combalette should be sent here to settle a question of big money". The family took counsel and delegated their youngest son, Dieudonné, a cook by trade. Dieudonné arrived safely in New York, but soon found himself short of money. Somehow, he managed to reach that prodigious corner of Texas where, he thought, his uncle's many factories would be built. Neither the factories nor his uncle, who died in poverty a week ago, welcome him there. Dîeudonné can't imagine returning to his native village to announce this new family disgrace; for one thing, he hasn't got a penny in his pocket. The owner of a modest saloon hires him as a cook.
From being unfairly outed, to going after the life you want for yourself, these songs from 'Frozen' perfectly capture the journey out of the closet.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.