Arriving as part of a later wave of the Cinema of Transgression, Joe Christ’s films exploit and explore dementedly offensive human behavior. Following in the tradition of John Waters and The Kuchar Brothers, Christ’s films wallow in extreme sicko humor and strange people behaving badly.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
