
After the death of his father, a 16-year-old boy struggles with anger and instability, distancing himself from his mother. His search for escape leads him to a lonely dominatrix living nearby, a woman accustomed to giving and controlling pain. Drawn to her world, he seeks both solace and love, while she finds herself pulled into a bond that neither expected but both need.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Dwayne Wayne and Whitley's youngest daughter takes us back to Hillman College in this iconic 90s sequel.