Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

It was love at first sight for beautiful young lawyer Sandra "Sunday" O'Brien-Parker (Rachel Blanchard) and Henry Parker (Cameron Mathison), retiring White House Secretary of State, when Sunday's dad Danny (Jack Wagner), Henry's colleague and Secret Service Agent, introduced them at the picturesque Why Worry Ranch in California. Now, a year after their wedding, Sunday and Parker, living on the ranch near Lake Tahoe after Parker's recent term as beloved state governor, are an irresistible sleuthing team who enjoy the political spotlight while taking pleasure busting the bad guys. But when Parker's mom Miriam (Janet-Laine Green) and Danny are suddenly kidnapped on their way to a high-profile family event, Parker and Sunday are immediately on the case and this time it's personal.
Disney movies have taken a bit of a downward turn recently. How come?
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.