Oscar Nominated Shorts: Animation— Reviewed
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?

On the eve of the publication of their book THE SOPRANOS SESSIONS, TV critics Alan Sepinwall and Matt Zoller Seitz meet at Holsten's in Bloomfield, New Jersey, the location of the controversial last scene of THE SOPRANOS. Their wide-ranging conversation covers television, movies, psychiatry, gangsterism, their 20-year friendship, and their experience covering the series for the Star-Ledger of Newark, the newspaper that Tony Soprano picked up at the end of his driveway.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.