“Driveways”
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

The film follows the eldest daughter of a family on holiday as she navigates her growing desires for a prison inmate with her heartfelt but fraying familial love. Under the film’s placid surface is a teenage, and very human, restlessness that suggests impulsive curiosity, yet also wisdom.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
Do not trust Rotten Tomatoes. That is what I learned after watching Eternals. Critics currently rate it a 48%, but it's an amazing character-focused Marvel movie with positive diverse representation.
This article discusses the classic and timeless franchise, The Smurfs.