"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

A vaudeville act. Trixie Friganza performs first a story and then a song. For the story, she wears a wide-brimmed had and a matching diaphanous shawl. She tells of a visit to a friend who has a five-year old son. The mother tells Trixie a tale of stepping out on her husband, and to conceal the story from the boy, spells out key words. By the story's end, mom is in for a surprise and Trixie has a moral for us. Then, the hat and shawl come off, a base fiddle comes out, and Trixie sings us a comic song about her first two husbands.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
A man struggling with the death of his son agrees to coach his former high school basketball team.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.