Jenna Davis, a single working mother, wakes up at home to discover she's delivered a stillborn baby girl. Is the child a victim of a cunning prenatal nurse who no one remembers seeing or is she the victim of her mother's own fractured psyche?
Neill Fearnley
Director
Gina Philips
Jenna Davis
Warren Christie
Tom Robbins
Ellie Harvie
Lynne Mallory/Nicole Parker
Jay Brazeau
Dolan Severs
Anna Galvin
Dana Hoch
Wanda Cannon
Dale Pendergast
Matthew Walker
Dr. Seligman
Tom McBeath
Don Walters
Leanne Adachi
Debbie
Peter Bryant
Detective Reese
Nathalie Therriault
Maggie Carter
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.