The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

Ann Sothern essays the title role in My American Wife. The story opens in Smelter City, Arizona, where the richest man in town is grizzled old Indian fighter Lafe Cantillon (Fred Stone). Lafe's social-climbing sister-in-law (Billie Burke) insists that her daughter Mary wed a titled European, Count Ferdinand (Francis Lederer). Much to Lafe's delight, Mary isn't assimilated into Continental high society; instead, she instructs Count Ferdinand in the virtues of good, old-fashioned American democracy. And, of, course, the Count and Lafe become great chums when the "furriner" proves that he can ride a bucking bronco with the best of 'em.
A direct fall into the white savior narrative
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.