“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Rifat, who can not hold on to any job, reunites with Nalan, who is patiently waiting for him, and comes to a dead end with the inheritance that suddenly appears. Thinking that they can finally create a happy family picture thanks to the surprise inheritance, Rifat and Nalan will embark on an irreversible adventure when they learn what the inheritance is.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Growing up is a challenge for everyone.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Andor is an origin story where each side will do whatever it takes.