Darren Aronofsky's Top 5 Films
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.

A nasty virus has spread throughout the human race turning the population into something ...else. After a brief setup (and a messy hit and run) we’re introduced to an ambulance and its four occupants. Sonia and Marco are together and riding with two police officers. Tensions rise between them as they head for a mythical research facility called NOAH that is reportedly infection free and working on a cure, and circumstances lead to Sonia and Marco holing up alone in an abandoned building. She’s pregnant, in love, and apparently immune to the virus… and she realizes that he’s been infected. He slowly transforms but her love for him refuses to give up on a cure, so she sets out to survive the onslaught of infected, attacks from still-human marauders, and the growing threat from her baby’s daddy.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.