Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Over the course of one week in a shadowy Wellington flat, four flatmates gradually aggravate and menace each other as pressure builds over unpaid bills, a mysterious disappearance, infidelity, and unrequited sexual desire. The physical and psychological claustrophobia becomes increasingly unbearable as they begin to encroach on each other's spaces, culminating in a shocking scene of humiliation and despair.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.