Marvel's Eternals: Why It Was a Good Idea... But The Execution Was Not.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.

MURDEROUS TALES is a special effect animated feature film combining live actors with 3D/2D animation, puppets and back projection. It contains three stories: Antonio Cacto, Lighthouse and The Big Man, plus three ultra-short films called Charge the Dragon. Each episode uses different production technology and is in a different genre, but both their form and their content are related. All the episodes are about double standards and the topics of heroism and death. Something very small meets something very big (a tiny knight meets a huge dragon, an old Mexican goblin meets a man, a tiny Professor meets real-life cows, two mobsters meet the Big Man). All these meetings result in the heroic death of the small principal characters. Each script sees heroism and death differently.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
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Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.
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The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.