Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Two look-alike sisters, one good and one evil, are at odds. The evil sister, a criminal, frames her innocent twin for her misdeeds. The good sister must then expose her criminal sibling to clear her name.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.