'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

In a mutant universe where anything is possible, a group of self-proclaimed geeks fight to defend their identity and freedom. With their slogan "Long live the geeks!" as their banner of resistance, they challenge a villain determined to rule and subjugate them. Armed with their peculiar virtues and tendencies, they will not let anything get past them, turning their rebellion into a heroic act in this peculiar Mutant World.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
A family drama is woven with quiet yet powerful forces of words and nature.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.