Mumford and Sons are a band that have never stayed still. An innate desire to travel, to meet people and to do the unexpected has become a calling card of sorts as fans the world over join their community and fall in love with their consistently evolving music. The documentary follows the band and their latest set of collaborators as they travel across uncharted territory, playing the major cities of South Africa with an eclectic mix of musician friends. They explore the craft of song writing and the people, events and influences that dictate that. The film showcases the band at their most open and collaborative as they relish the excitement of playing to crowds in new cities who've never seen them before. Along the way they set a fresh challenge for themselves; taking their collaborative culture one step further as they attempt to write and record a mini album in just two days, with the other musicians on tour. The filming of this process not only lifts the lid on the art of song....
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
A man found himself stuck inside the passage to the subway exit on the way to work.
