Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Coque Malla meets with a number of female artists during the creative process of his new musical work. Intimate essays, confidences, complicity, sense of humour and creative passion that will culminate in the live recording of the album "Mujeres" ("Women"). A journey through the life of an artist with songs and women as absolute protagonists, with the exception of his close friend, Antonio Dyaz.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
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Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.