
It is just possible that the made-for-TV biopic Muhammad Ali: King of the World was hastily pieced together to capitalize on the popular theatrical documentary When We Were Kings and the publicity attending the upcoming Will Smith movie vehicle Ali. Actually, the title of the TV film was something of a misnomer, since the story covers the formative days of Ali's career and fame, when he was still fighting under his given name Cassius Clay. Played by Terrence DaShon Howard, the young Clay slugs his way from poverty-stricken obscurity to the 1960 Olympics, garners both positive and negative publicity with his incessant self-worship and improvised rhymes, and proves that he is more than just talk when he defeats Sonny Liston (Steve Harris) in 1964. It is in fact at this point that the film draws to a close, with a few hints of what is to come manifested in an early meeting between the impressionable Clay and Islamic activist Malcolm X (Gary Dourdan).
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .