No Problem with 'Beef'
"Beef" is a new dark comedy with a near entire Asian-American cast

It is just possible that the made-for-TV biopic Muhammad Ali: King of the World was hastily pieced together to capitalize on the popular theatrical documentary When We Were Kings and the publicity attending the upcoming Will Smith movie vehicle Ali. Actually, the title of the TV film was something of a misnomer, since the story covers the formative days of Ali's career and fame, when he was still fighting under his given name Cassius Clay. Played by Terrence DaShon Howard, the young Clay slugs his way from poverty-stricken obscurity to the 1960 Olympics, garners both positive and negative publicity with his incessant self-worship and improvised rhymes, and proves that he is more than just talk when he defeats Sonny Liston (Steve Harris) in 1964. It is in fact at this point that the film draws to a close, with a few hints of what is to come manifested in an early meeting between the impressionable Clay and Islamic activist Malcolm X (Gary Dourdan).
"Beef" is a new dark comedy with a near entire Asian-American cast
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Although the budget was a dollar and a dream, Netflix's 'First Kill' managed to gain over 90 million viewing hours and a small cult following. So why was it canceled? Given the trends in series cancellations, it may have been because of the Black and queer protagonists.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
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