During the Argentine dictatorship of the eighties, two gravediggers are in charge of burying all the N.N. that arrive at the cemetery. One afternoon they bring the corpse of a beautiful girl whom they both fall in love with. That rainy night will be the excuse for a reflection in candle on the friendship, the old age and the bitter beauty.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
