Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Mãtãnãg, a Encantada poster

Mãtãnãg, a Encantada 

The indigenous woman Mãtãnãg follows the spirit of her husband, dead bitten by a snake, to the village of the dead. Together they overcome the obstacles that separate the earthly world from the spiritual world. Once in the land of the spirits, things are different: other ways govern the supernatural. But Mãtãnãg is not dead, and his soul must return to living with the living. Back in his village and reunited with his relatives, new vicissitudes during a ritual will provide the opportunity for them to once again be alive and dead. Mãtãnãg is based on a traditional history of the Maxakali people. The illustrations for the film were made in a workshop in Aldeia Verde, in the municipality of Ladainha (Minas Gerais).
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The indigenous woman Mãtãnãg follows the spirit of her husband, dead bitten by a snake, to the village of the dead. Together they overcome the obstacles that separate the earthly world from the spiritual world. Once in the land of the spirits, things are different: other ways govern the supernatural. But Mãtãnãg is not dead, and his soul must return to living with the living. Back in his village and reunited with his relatives, new vicissitudes during a ritual will provide the opportunity for them to once again be alive and dead. Mãtãnãg is based on a traditional history of the Maxakali people. The illustrations for the film were made in a workshop in Aldeia Verde, in the municipality of Ladainha (Minas Gerais).

Rating:
Genre:Fantasy, Animation
Written By:
In Theaters:
Box Office:

Runtime:14 minutes
Studio:

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger