Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Mihai Toth worked for forty years as a watchman in a timber warehouse. On his last watch, there was a fire: the warehouse burned to the ground. The damage amounted to one and a half million forints. It was a terrible blow to Mihai, who had worked honestly all his life. Suddenly it turns out that Mihai has won one and a half million forints in a lottery. Wanting to save his good name, he wants to deposit this sum in the state treasury. But it turned out to be not so easy: the cause of the fire has not been established and Mihai's guilt has not been proved. That's why nobody had the right to take money from him. For a long time Mihai wandered from one institution to another with a request to accept money from him, but everything was in vain. Then the old man tried a trick...
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.