The wife of a company president is 29 years old and in the prime of her life. Her husband is a powerful man in the financial world, so they are much older than her. As a result, she is always sexually unsatisfied and has affairs with one man after another, first a middle-aged man, then her golf coach, a host, and a sumo wrestler. This film is a film adaptation of Koichiro Uno 's bestselling novel, "A Busy Wife."
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
