"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

It is a horrifying sight when the officials arrive at the Old Main Bridge in Frankfurt: there, hanging on a rope tied in a butterfly knot, is the corpse of a woman anointed in rose oil. This macabre handwriting immediately reminds Julia Durant of the serial killer Dietmar Gernot, whom she put behind bars years ago. Has he possibly found a copycat and who will the perpetrator target next?
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.