"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

The music label MPS (Musik Produktion Schwarzwald) from Villingen is known worldwide to fans, musicians and lovers of jazz. Legends such as Oscar Peterson, Duke Ellington, Friedrich Gulda, Monty Alexander, George Duke, Freddie Hubbard, Jean-Luc Ponty or the Singers Unlimited traveled to the small Black Forest town from the mid-1960s onwards to take in the entrepreneur's son Hans Georg Brunner-Schwer. Around 500 albums were released on MPS, many of which are long-established classics. Thus, for two decades Villingen became a jazz mecca, which stars Jean Luc Ponty, Jasper van't Hof, Monty Alexander, Rolf and Joachim Kühn or Gunter Hampel, as well as Charly Antolini, Daniel Humair, Alexander von Schlippenbach and Eberhard Weber still rave about today. The documentary takes viewers on a fascinating journey into the 60s and 70s and tells one of the most incredible chapters in jazz history, which originated in southwestern Germany.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.