Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Moving On poster

Moving On 

In a dreamlike, suspended setting, a melancholy-looking boy finds himself alone on a vast green plain along with a single wooden chair. There she is visited by an ethereal and aloof woman who embodies her memories and past. With the help of a recited poem, the woman attracts the protagonist’s “inner child,” a symbol of her childhood and her fragility. Despite the boy’s bitterness, the woman and the child take hands and choose to continue together into the unknown, leaving the protagonist alone to deal with his own emptiness and the need to vanish in order to finally move on.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In a dreamlike, suspended setting, a melancholy-looking boy finds himself alone on a vast green plain along with a single wooden chair. There she is visited by an ethereal and aloof woman who embodies her memories and past. With the help of a recited poem, the woman attracts the protagonist’s “inner child,” a symbol of her childhood and her fragility. Despite the boy’s bitterness, the woman and the child take hands and choose to continue together into the unknown, leaving the protagonist alone to deal with his own emptiness and the need to vanish in order to finally move on.

Rating:
Genre:Drama, Fantasy
Directed By:Gianmarco Sgobba
Written By:Gianmarco Sgobba, Eva Catalano
In Theaters:
Box Office:

Runtime:4 minutes
Studio:

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso