Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Moving Alan poster

Moving Alan (2003)

The story follows the two sisters Melissa and Emily, the former who accidentally killed her husband Alan and the latter who agrees to help her bury her husband in the desert. While there, they encounter a trucker who hates his dogs and takes a special dislike to the sisters, a Park Ranger who takes a shine to Melissa and finally a strange, homeless man who thinks he is in a soap opera. While Melissa and Emily try their best to find a suitable place to bury Alan, much of their history is revealed and the day in the desert has a great impact on their lives.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The story follows the two sisters Melissa and Emily, the former who accidentally killed her husband Alan and the latter who agrees to help her bury her husband in the desert. While there, they encounter a trucker who hates his dogs and takes a special dislike to the sisters, a Park Ranger who takes a shine to Melissa and finally a strange, homeless man who thinks he is in a soap opera. While Melissa and Emily try their best to find a suitable place to bury Alan, much of their history is revealed and the day in the desert has a great impact on their lives.

Rating:
Genre:
Written By:Jerry Rapp
In Theaters:4/4/2003
Box Office:

Runtime:83 minutes
Studio:

Articles You May Like


"Him" - All Flash, No Game

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Nilufer Ozmekik