'La Loca Y El Feminista' (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.

North Caucasus, XIX century. Abrek-Ossetian Jigo learns that only two men remain in his family — he and his nephew Akhsar. The highlander decides to take revenge on the Dudarov’s family, whose representative killed his brother. However, the difficult financial situation forces Jigo to go to Mozdok, where he is going to exchange cheese for grain with his kunak, the Terek Cossack Stepan. He loads the cart and, together with his nephew, goes to the Russian fortress.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
A boy named Max experiences adventure within his own house while staying home alone.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.