North Caucasus, XIX century. Abrek-Ossetian Jigo learns that only two men remain in his family — he and his nephew Akhsar. The highlander decides to take revenge on the Dudarov’s family, whose representative killed his brother. However, the difficult financial situation forces Jigo to go to Mozdok, where he is going to exchange cheese for grain with his kunak, the Terek Cossack Stepan. He loads the cart and, together with his nephew, goes to the Russian fortress.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
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