What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Serge (Stevenin) is a dweller in the French provinces who happens upon Georges (Jacques Villeret), a Parisian motorist in distress. Serge arranges for the car to be taken to a nearby garage. Georges' friends, who were with him in the car, have continued their journeys. Because of that, Serge takes Georges under his wings while he waits for his car to be repaired, and they tour the countryside and party with the local revelers. Nothing much is said between them, but it is clear that they have become friends
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.