“Subject to IX” Movie Review: Discussing the Hard Truth About How Colleges Handle Title IX Cases.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.

Heavy metal compilation featuring Motörhead (or Lemmy, Fast Eddie and Filthy Phil, as they're known to their mothers) performing an ear-shattering selection of their finest material. Includes 'Overkill' and 'Ace of Spades'. Songs: 1) Ace of Spades 2) Overkill 3) No Class 4) I Got Mine 5)Stay Clean 6) Iron Fist 7) The Chase Is Better than the Catch 8) Dead Men Tell No Tales 9) Shine 10) Capricorn 11) Poison 12) One Track Mind 13) Motörhead 14) Bomber 15) Killed by Death
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.