A ten year old boy gets tired of life with abusive parents and cashes in his piggy bank and steals a Mustang. He rides off into a surreal America playing "Motorama," a game sponsored by Chimera Gas Company. He has various encounters with different people, and eventually reaches the Chimera Gas Company where he finds they are not playing by the rules of the game.
Barry Shils
Director
Jordan Christopher Michael
Gus
Martha Quinn
Bank Teller
Michael Naegel
Boy at Wagon Wheel
Susan Tyrrell
Bartender
Harper Flaherty
Old Man at Wagon Wheel
John Laughlin
Man at Wagon Wheel
Kurt Bryant
Another Man
John Diehl
Phil
Robert Picardo
Jerry the Policeman
Jack Nance
Motel Clerk
Cynthia King
Girl in Backseat
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Wuthering Heights— What is the cost of love?
Peppered with whimsical humor, heartbreaking realizations, and heartwarming discoveries, The Incomer is surprisingly endearing through and through.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.