
'Motion Pictures for Wall Frames: Vol 1' is the first in a series of experimental films by filmmaker Lee Eubanks. The series is focused on infusing environments of motion and time inherent in cinema with traditional visual art themes. 'Volume 1' involves six scenes which each showcase a different genre of photography or painting interpreted through cinematic movement and duration. Each scene is comprised of a single stationary shot reaching the 30-second maximum shot length of the hand-wound Krasnogorsk-3 camera. While 'Motion Pictures for Wall Frames' can be screened through traditional cinematic formats, the project is designed to be shown framed on a wall, either through projection or digital picture screen, much like a framed photograph or canvas. This concept originated from Eubanks' desire to see works of cinema showcased similarly to how pictures and paintings are commonly displayed across the world.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.