What is Horror?
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.

Mother’s Name: Orange is a poetic journey into the life of a troublesome young man who figures a chance to find himself once again in the cathartic fusion with nature. Osijek – The Sky Below is a road movie reflecting upon the wounds left by the war. In Duel, a mother and her son alternate between conflict and tenderness. Park paints a common day at a park. In I’ll Kill Ya!, the murderers of a drug dealer face the consequences of such action.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.