Eight months after the Chernobyl disaster, a Chernobylite woman that stayed behind to care for her sick mother gives birth to a mutated daughter. She wakes up after giving birth to find her mother gone. Masha, isolated and suffering from cataracts from the radiation exposure, becomes fearful that soldiers will take her contaminated baby. While attempting to reunite with her family in Kiev, the blinding mother and infant become lost in a forest. Masha sees a figure chasing her and believes it's a soldier that wants her child.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
Looking back at the representation of different cultures in the magical world of Harry Potter
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
