Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

1918. World War I rages in Europe while Erna Jensen tends to her ordinary life at home in Bramstrup, with her simple-minded son, Kalle. One day the village constable comes to enlist Kalle for military service for the German Empire – of which Southern Jutland is a part. If Erna is to save Kalle from certain death, she must follow him through thick and thin. Upon a chance meeting with a deserting solder she trades identities. Now disguised as Private Julius Rasmussen, Erna heads for the front. In her encounters with the other soldiers and in the presence of the war, unknown sides of Erna are awoken. This is the story of a woman who won’t let a war prevent her from fighting for what she loves.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.