A Queer Review of the Austin Film Festival (2023)
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
Mother
In the 1960s, about 3,000 Chinese orphans were sent to Inner Mongolia. In the Xilingol grassland, Qiqigema Erji adopted Chen Chen and Yu Sheng even though her husband disapproved. The children grew up as Mongolian nomads. But 20 years later, upon hearing the news that biological parents were looking for their children, Chen Chen left for Shanghai in the hope of meeting his parents. Yu Sheng finally did meet his parents and faced a choice as to where he wanted to live.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In the 1960s, about 3,000 Chinese orphans were sent to Inner Mongolia. In the Xilingol grassland, Qiqigema Erji adopted Chen Chen and Yu Sheng even though her husband disapproved. The children grew up as Mongolian nomads. But 20 years later, upon hearing the news that biological parents were looking for their children, Chen Chen left for Shanghai in the hope of meeting his parents. Yu Sheng finally did meet his parents and faced a choice as to where he wanted to live.
Rating:
Genre:Drama
Written By:Ning Cai
In Theaters:
Box Office:
Runtime:100 minutes
Studio:Huaxia Film Distribution
Cast
Articles You May Like
There is Strength in Silence: An Incluvie Film Festival Review of “Kung Fu Chit”
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
In Apex, Womanhood Is More Dangerous Than the Wilderness
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
"The Slumber Party Massacre" Satirizes Slasher Tropes While They Are Still Being Established
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
TIFF ‘22 Coverage: ‘Triangle of Sadness’
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
How Women Spectatorship in ‘Run Sweetheart Run’ Makes it the Most Relatable Horror Film for Women
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.